Songs / G# Major · 190 BPM
20 in a Chevy by Cole Swindell
20 in a Chevy by Cole Swindell is in the key of G# Major and runs at 190 BPM (or 95 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 4B, which is what you match against when you are mixing it harmonically with another track.
What mixes with 20 in a Chevy
On the Camelot wheel, 20 in a Chevy sits at 4B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 5Benergy boost
- 3Benergy drop
- 4Arelative minor
Mixes well with 20 in a Chevy
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Amour Artificiel — Annie Villeneuve
- Il est où le SAV ? — Suzane
- La vérité — Annie Villeneuve
- Quand j'étais chanteur — Michel Delpech
- Le Vieillard — Alexandra Streliski
- Paris-Bruxelles — Mentissa
- C'que tu m'fais — Tel Kel
- Semele / Act 2 : Handel: Semele / Act 2: Oh sleep, why dost thou leave me? — Renée Fleming
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro — Ton Koopman
- Semele / Act 2 : Handel: Semele / Act 2: Oh sleep, why dost thou leave me? — Renée Fleming
- Vivaldi: Nulla in Mundo Pax Sincera, RV 630 — Elin Manahan Thomas
- Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro — Jonathan Biss
- Glassworks : Glass: Glassworks: Opening — Víkingur Ólafsson
- Same Old Lie — Jim James
More songs in G# Major
All songs in G# Major →All songs at 190 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
