Songs / G# Major · 126 BPM
Ain’t In Kansas Anymore (From Twisters: The Album) by Miranda Lambert
Ain’t In Kansas Anymore (From Twisters: The Album) by Miranda Lambert is in the key of G# Major and runs at 126 BPM, a steady dance-floor tempo. Its Camelot code is 4B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Ain’t In Kansas Anymore (From Twisters: The Album)
On the Camelot wheel, Ain’t In Kansas Anymore (From Twisters: The Album) sits at 4B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 5Benergy boost
- 3Benergy drop
- 4Arelative minor
Mixes well with Ain’t In Kansas Anymore (From Twisters: The Album)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Parle à ma main (feat. Yelle & Christelle) (Version longue) — Fatal Bazooka
- À qui le tour — Jeck
- Lieve Kleine Piranha — Mentissa
- Blind Vision — Alexandra Streliski
- Apocalypticodramatic — Tryo
- Lâcher prise — Mentissa
- La chanson d'amour — Mentissa
- Because You Loved Me (Theme from "Up Close and Personal") — Céline Dion
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro — Ton Koopman
- Semele / Act 2 : Handel: Semele / Act 2: Oh sleep, why dost thou leave me? — Renée Fleming
- Vivaldi: Nulla in Mundo Pax Sincera, RV 630 — Elin Manahan Thomas
- Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro — Jonathan Biss
- Glassworks : Glass: Glassworks: Opening — Víkingur Ólafsson
- Same Old Lie — Jim James
More songs in G# Major
All songs in G# Major →All songs at 126 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
