Songs / A Minor · 116 BPM
Ave Maria by Bratislava Chamber Ensemble
Ave Maria by Bratislava Chamber Ensemble is in the key of A Minor and runs at 116 BPM, a steady dance-floor tempo. Its Camelot code is 8A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Ave Maria
On the Camelot wheel, Ave Maria sits at 8A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Aenergy boost
- 7Aenergy drop
- 8Brelative major
Mixes well with Ave Maria
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Alvar — Goldfrapp
- Ain't We Funkin' Now (Single Version) — The Brothers Johnson
- Ain't We Funkin' Now — The Brothers Johnson
- Legalize Me — Prophets of Rage
- 3AM Eternal (Live At The S.S.L. 12” A Side) — The KLF
- Concerto for Violin and Strings in a Minor, Op. 3, No. 6, Rv 356 “l’ Estro Armonico”: I. Allegro (Live) — J.S. Bach Orchestra
- Symphony No. 5 in B-Flat Major, D. 485: I. Allegro — Slovak Philharmonic Orchestra
- Ride a White Horse (Serge Santiágo Re-Edit) — Goldfrapp
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Pearls for Orphans — Le Cri du Caire
- Route de nuit — Erik Truffaz
- Ascenseur pour l'échafaud — Erik Truffaz
- Peer Gynt Suite No. 1, Op. 46: Anitra's Dance — Slovak Philharmonic Orchestra
- Standchen — Bratislava Chamber Ensemble
- Symphony No. 5 in B-Flat Major, D. 485: I. Allegro — Slovak Philharmonic Orchestra
More songs in A Minor
All songs in A Minor →All songs at 116 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
