Songs / C Major · 192 BPM
Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello) : Sarasate: Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello): II. Lento assai – En vain pour éviter by Nicola Benedetti
Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello) : Sarasate: Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello): II. Lento assai – En vain pour éviter by Nicola Benedetti is in the key of C Major and runs at 192 BPM (or 96 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 8B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello) : Sarasate: Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello): II. Lento assai – En vain pour éviter
On the Camelot wheel, Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello) : Sarasate: Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello): II. Lento assai – En vain pour éviter sits at 8B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Benergy boost
- 7Benergy drop
- 8Arelative minor
Mixes well with Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello) : Sarasate: Carmen Fantasy, Op. 25 (Arr. Goss for Violin, Guitar, Accordion & Cello): II. Lento assai – En vain pour éviter
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- C.P.E. Bach: Arioso with 9 Variations in C Major, H. 259: Var. 9 — Marc-André Hamelin
- C.P.E. Bach: Arioso with 9 Variations in C Major, H. 259: Var. 7 — Marc-André Hamelin
- Rachmaninoff: Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) — Gidon Kremer
- String Quartet in G Major, Op. 17/5, Hob. III:29: II. Menuetto – Trio — Bennewitz Quartet
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus [12] [rectus] — Daniil Trifonov
- 9 Préludes, Op. 103: No. 5 in D Minor — Lucas Debargue
- 14 Romances, Op. 34: No. 14, Vocalise (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- 3 Romances sans paroles, Op. 17: Romance No. 2 in A Minor - Allegro molto — Lucas Debargue
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Le carnaval des animaux, R. 125 : Saint-Saëns: Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion — Martha Argerich
- Tabula rasa : Pärt: Tabula rasa: I. Ludus. Con moto (Live) — Gidon Kremer
- Le carnaval des animaux, R. 125 : Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Finale — Martha Argerich
- Violin Concerto No. 1 in A minor, BWV 1041 : J.S. Bach: Violin Concerto No. 1 in A minor, BWV 1041: 1. (Allegro moderato) — Gidon Kremer
- Brahms: Violin Concerto in D Major, Op. 77: II. Adagio (Cadenza by Kreisler) — Gidon Kremer
- Pärt: Es sang vor langen Jahren — Susan Bickley
More songs in C Major
- The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn" : Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn": III. Allegro — Gidon Kremer
- Ich bin in mir vergnügt, Cantata BWV 204 : J.S. Bach: Ich bin in mir vergnügt, Cantata BWV 204: IV. Aria. Die Schätzbarkeit der weiten Erde — Kathleen Battle
- Concerto In F Major "L'autunno", Op. 8, No. 3, RV 293 : Vivaldi: Concerto In F Major "L'autunno", Op. 8, No. 3, RV 293: II. Adagio molto — Nadja Salerno-Sonnenberg
- Gluck / Arr. Wagner: Iphigénie en Aulide, Wq. 40: Ouverture — Otto Klemperer
- Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — — Otto Klemperer
- Beethoven: Fantasia in C Minor, Op. 80 "Choral Fantasy": II. (e) Allegretto, ma non troppo - Presto — Daniel Barenboim
All songs in C Major →All songs at 192 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
