Songs / G Minor · 114 BPM
Chasing Yesterdays by Alexis Ffrench
Chasing Yesterdays by Alexis Ffrench is in the key of G Minor and runs at 114 BPM, a steady dance-floor tempo. Its Camelot code is 6A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Chasing Yesterdays
On the Camelot wheel, Chasing Yesterdays sits at 6A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 7Aenergy boost
- 5Aenergy drop
- 6Brelative major
Mixes well with Chasing Yesterdays
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- In the Heat of the Night — U.D.O.
- What Is Love — ReMan
- Die Zauberflöte, K. 620, Act I : Mozart: Die Zauberflöte, K. 620, Act I: No. 4, O zittre nicht, mein lieber Sohn! — Sumi Jo
- Sorriso no Rosto — Mc IG
- OKAY NOT TO BE OKAY — Ecca Vandal
- Under Northern Lights — Keiko Matsui
- Closure — Avishai Cohen
- I Give as Good as I Get — U.D.O.
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- A Cry of a Nation — U.D.O.
- I Give as Good as I Get — U.D.O.
- Rose in the Desert — U.D.O.
- Norma (Ed. Biondi & Minasi), Act I Scene 2 : Bellini: Norma (Ed. Biondi & Minasi), Act I Scene 2: Oh! di qual sei tu vittima – Oh! qual traspare orribile – Norma! de’ tuoi rim — Cecilia Bartoli
- Apprendre à vivre — Sir Pathétik
- T'aimes un bad boy — Sir Pathétik
More songs in G Minor
All songs in G Minor →All songs at 114 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.