Come to Me by Björk

What mixes with Come to Me

On the Camelot wheel, Come to Me sits at 8A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:

• 9Aenergy boost
• 7Aenergy drop
• 8Brelative major

Mixes well with Come to Me

Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.

• Death Bed (HYPERTECHNO) — Dream ChaosC Major · 8B · 170 BPM
• How Far We've Come — Matchbox TwentyC Major · 8B · 167 BPM
• Lac Otis — Orloge SimardE Minor · 9A · 181 BPM
• J'aime Paris au mois de mai — Charles AznavourC Major · 8B · 181 BPM
• Piano Concerto in A Minor, Op. 54 : Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) — Hélène GrimaudD Minor · 7A · 183 BPM
• The One You Love to Hate — HalfordD Minor · 7A · 183 BPM

Tracks to mix into it

Other analyzed songs in a compatible key, ready to line up next in a set:

• A Whiter Shade of Pale — King Curtis 8B · 143 BPM
• A Whiter Shade of Pale (Live at Fillmore West, 3/7/1971) — King Curtis 8B · 200 BPM
• Picture Cards — Blaze Foley 8B · 120 BPM
• The Moonlight Song — Blaze Foley 8B · 203 BPM
• Rêve — Akira Kosemura 8B · 120 BPM
• Echoes — Akira Kosemura 7A · 112 BPM

More songs in A Minor

• COMË N GO — Yeat 146 BPM
• Foot Pattin' — King Curtis 125 BPM
• I Should Have Been Home — Blaze Foley 124 BPM
• Kaleidoscope of Happiness — Akira Kosemura 115 BPM
• 12 pouces — Orloge Simard 160 BPM
• Fabrice Bouchard — Orloge Simard 146 BPM