Songs / D Major · 108 BPM
Hablar De Nada by Viva Suecia
Hablar De Nada by Viva Suecia is in the key of D Major and runs at 108 BPM, a mid-tempo groove. Its Camelot code is 10B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Hablar De Nada
On the Camelot wheel, Hablar De Nada sits at 10B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 11Benergy boost
- 9Benergy drop
- 10Arelative minor
Mixes well with Hablar De Nada
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Kayleigh (2017 Remaster) — Marillion
- Kayleigh — Marillion
- Je t'emmène — L'oiseau noir
- La couleur de la mer — Petit K
- La couleur de la mer (Edit) — Petit K
- 100 meters — Hiroaki Tsutsumi
- Tes hirondelles — Marion Roch
- Piano Sonata No. 12 in F Major, K. 332 : Mozart: Piano Sonata No. 12 in F Major, K. 332: III. Allegro assai — Maria João Pires
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Piano Sonata No. 12 in F Major, K. 332 : Mozart: Piano Sonata No. 12 in F Major, K. 332: III. Allegro assai — Maria João Pires
- Piano Sonata No. 16 in C Major, K. 545 "Sonata facile" : Mozart: Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro — Maria João Pires
- Schumann: Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen — Maria João Pires
- J'aime ce que tu es — L'oiseau noir
- Je t'emmène — L'oiseau noir
- Ou Pani — Mikado
More songs in D Major
All songs in D Major →All songs at 108 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
