Songs / C Major · 174 BPM
Handel: Thus Saith The Lord Of Hosts (Live) by Sir Andrew Davis
Handel: Thus Saith The Lord Of Hosts (Live) by Sir Andrew Davis is in the key of C Major and runs at 174 BPM (or 87 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 8B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Handel: Thus Saith The Lord Of Hosts (Live)
On the Camelot wheel, Handel: Thus Saith The Lord Of Hosts (Live) sits at 8B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Benergy boost
- 7Benergy drop
- 8Arelative minor
Mixes well with Handel: Thus Saith The Lord Of Hosts (Live)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Ich bin in mir vergnügt, Cantata BWV 204 : J.S. Bach: Ich bin in mir vergnügt, Cantata BWV 204: IV. Aria. Die Schätzbarkeit der weiten Erde — Kathleen Battle
- Toccata, Adagio and Fugue in C Major, BWV 564 : III. Fuga. Moderamente scherzando, un poco umoristico — Vladimir Horowitz
- The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn" : Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn": III. Allegro — Gidon Kremer
- St. Matthew Passion, BWV 244: Pt. I: Recitative and Chorus. Aber am ersten Tage der sussen Brot (Evangelist, Chorus, Jesus) — Ernst Haefliger
- Sonata in A Minor, K 59 (L 241) — Vladimir Horowitz
- 14 Romances, Op. 34: No. 14, Vocalise (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Matthäus-Passion, BWV 244, Pt. 1 : J.S. Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. Ich will dir mein Herz schenken (Soprano) — Irmgard Seefried
- St. Matthew Passion, BWV 244: Pt. I: Recitative and Chorus. Aber am ersten Tage der sussen Brot (Evangelist, Chorus, Jesus) — Ernst Haefliger
- The Magic Flute, Act I, Pt. 3 — Vienna Philharmonic Orchestra
- Le nozze di Figaro, Op. K 492, Act 1: Cinque...dieci...venti / Se a caso madama / Se vuol ballare — Irmgard Seefried
- Le nozze di Figaro, Op. K 492, Act 2: Voi, che sapete che cosa è amor / Venite, inginocchiatevi — Sena Jurinac
- Ave Maria (after J.S. Bach) — London Philharmonic Orchestra
More songs in C Major
- Götterdämmerung, Act II Scene 4 : Götterdämmerung, Act II Scene 4: Achtest du so der eigenen Ehre? — Helga Dernesch
- Così fan tutte, K. 588, Act II : Mozart: Così fan tutte, K. 588, Act II: No. 31, Finale: h. Fortunato l'uom che prende (Live) — Gundula Janowitz
- Le nozze di Figaro, K. 492, Act III : Mozart: Le nozze di Figaro, K. 492, Act III: No. 20b, Dove sono i bei momenti — Gundula Janowitz
- The Magic Flute, Act II, Pt. 1 — Vienna Philharmonic Orchestra
- Toccata, Adagio and Fugue in C Major, BWV 564 : III. Fuga. Moderamente scherzando, un poco umoristico — Vladimir Horowitz
- You've Been Away — Sofiane Pamart
All songs in C Major →All songs at 174 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.