Songs / C Major · 77 BPM
It Is What It Is by Rahiem Supreme
It Is What It Is by Rahiem Supreme is in the key of C Major and runs at 77 BPM, a relaxed, downtempo pace. Its Camelot code is 8B, which is what you match against when you are mixing it harmonically with another track.
What mixes with It Is What It Is
On the Camelot wheel, It Is What It Is sits at 8B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Benergy boost
- 7Benergy drop
- 8Arelative minor
Mixes well with It Is What It Is
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- World of Love — Sharon Jones & The Dap-Kings
- Doesn't It Feel Good — Lisa Loeb
- Symphony No. 7 in C Major, Hob. 1/7: I. Adagio - Allegro — Austro-Hungarian Haydn Orchestra
- Perception — Kendall Miles
- I'm Ready (MTV Unplugged) — Bryan Adams
- The Lonely Shepherd — André Rieu
- Stages (2019 Remaster) — ZZ Top
- Normal Girl — SZA
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Harpal (feat. Sudip Gurung) — Naren Limbu
- Aida (1997 - Remaster): Su! del Nilo al sacro lido — Maria Callas
- Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) — Giuseppe Di Stefano
- Aida (1997 Digital Remaster): Il dolor che in quel volto favella — Maria Callas
- Madame Butterfly, Act III: "Con onor muore" (Butterfly, Pinkerton) — Maria Callas
- Macbeth, Act I : Verdi: Macbeth, Act I: Due vaticini compiuti or sono — Piero Cappuccilli
More songs in C Major
All songs in C Major →All songs at 77 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
