Songs / D Major · 125 BPM
Les Contes d'Hoffmann, Act IV, Scene 1: Intermède (Orchestra) by Andre Cluytens
Les Contes d'Hoffmann, Act IV, Scene 1: Intermède (Orchestra) by Andre Cluytens is in the key of D Major and runs at 125 BPM, a steady dance-floor tempo. Its Camelot code is 10B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Les Contes d'Hoffmann, Act IV, Scene 1: Intermède (Orchestra)
On the Camelot wheel, Les Contes d'Hoffmann, Act IV, Scene 1: Intermède (Orchestra) sits at 10B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 11Benergy boost
- 9Benergy drop
- 10Arelative minor
Mixes well with Les Contes d'Hoffmann, Act IV, Scene 1: Intermède (Orchestra)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Bixio: Parlami d'amore, Mariù (Arr. Schifrin) (Live) — José Carreras
- Ficción — LOS DANIELS
- Croesus: Gotter, übt Barmherzigkeit! (Croesus) — Tomáš Král
- Traffic In The Sky (Lee “Scratch” Perry Dub) — Jack Johnson
- Les Contes d'Hoffmann, Act IV, Scene 1: Ta mère? Oses-tu l'invoquer?...Chère enfant! que j'appelle (Miracle/La mère d'Antonia/Antonia) — George London
- 20 ans — Marie-Flore
- 2176 — Bernard Adamus
- Take My Breath Away — Gabrielle Chiararo
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
More songs in D Major
- De nous deux — Marie-Flore
- Say My Name — Novelists
- Amor de Rapariga — Raí Saia Rodada
- Les Contes d'Hoffmann, Act IV, Scene 1: Jour et nuit je me mets en quâtre (Frantz) — Andre Cluytens
- Berlioz: Rêverie et Caprice, Op. 8 — Itzhak Perlman
- Bixio: Parlami d'amore, Mariù (Arr. Schifrin) (Live) — José Carreras
All songs in D Major →All songs at 125 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.