Songs / G Major · 117 BPM
Love I’ve Been Jealous Of by Rachel Grae
Love I’ve Been Jealous Of by Rachel Grae is in the key of G Major and runs at 117 BPM, a steady dance-floor tempo. Its Camelot code is 9B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Love I’ve Been Jealous Of
On the Camelot wheel, Love I’ve Been Jealous Of sits at 9B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 10Benergy boost
- 8Benergy drop
- 9Arelative minor
Mixes well with Love I’ve Been Jealous Of
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Mothers Talk — Tears For Fears
- Gone Gone Gone — Turnpike Troubadours
- Schatzwalzer, Op. 418 — André Rieu
- Harpal (feat. Sudip Gurung) — Naren Limbu
- Under the Cherry Moon — Prince
- Hold On To The Light (Instrumental) — Jack Johnson
- Hallelujah Chorus (From "Messiah") [Arr. André Rieu] (ARV 10) — André Rieu
- Sky City — Stilz
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- 눈사람 — 투 로맨스
- Aida (1997 Digital Remaster): Vieni d'Iside al tempio — Fedora Barbieri
- Il Trovatore (1997 - Remaster), Act II Scene One: Coro delle incudini: Vedi le fosche notturne (Coro) — Coro del Teatro alla Scala di Milano
- Blue Star — Turnpike Troubadours
- I'm Ready (MTV Unplugged) — Bryan Adams
- Under the Cherry Moon — Prince
More songs in G Major
- Harpal (feat. Sudip Gurung) — Naren Limbu
- Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) — Giuseppe Di Stefano
- Madame Butterfly, Act III: "Con onor muore" (Butterfly, Pinkerton) — Maria Callas
- Gone Gone Gone — Turnpike Troubadours
- Devoir de mémoire — K-Maro
- Setsuna — Creepy Nuts
All songs in G Major →All songs at 117 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.