Songs / D Major · 110 BPM
Lover, You Should've Come Over (Live At Columbia Records Radio Hour, New York, NY, June 4, 1995) by Jeff Buckley
Lover, You Should've Come Over (Live At Columbia Records Radio Hour, New York, NY, June 4, 1995) by Jeff Buckley is in the key of D Major and runs at 110 BPM, a steady dance-floor tempo. Its Camelot code is 10B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Lover, You Should've Come Over (Live At Columbia Records Radio Hour, New York, NY, June 4, 1995)
On the Camelot wheel, Lover, You Should've Come Over (Live At Columbia Records Radio Hour, New York, NY, June 4, 1995) sits at 10B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 11Benergy boost
- 9Benergy drop
- 10Arelative minor
Mixes well with Lover, You Should've Come Over (Live At Columbia Records Radio Hour, New York, NY, June 4, 1995)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Let Your Horses Run — Brett Kissel
- Ninguém Precisa Se Odiar (Ao Vivo) — Renan Oliveira
- Darling Baby — Sir Charles Jones
- El Chinito — LEGADO 7
- Hurtin' Songs — Brett Kissel
- Groovin' (That's What We're Doin') — The S.O.S. Band
- Diz Aí Qual é o Plano? — Mc IG
- Groovin' (That's What We're Doin') — The S.O.S. Band
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
More songs in D Major
All songs in D Major →All songs at 110 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.