Songs / D Minor · 174 BPM
Mala e Cuia (Ao Vivo) by Wesley Safadão
Mala e Cuia (Ao Vivo) by Wesley Safadão is in the key of D Minor and runs at 174 BPM (or 87 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 7A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Mala e Cuia (Ao Vivo)
On the Camelot wheel, Mala e Cuia (Ao Vivo) sits at 7A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 8Aenergy boost
- 6Aenergy drop
- 7Brelative major
Mixes well with Mala e Cuia (Ao Vivo)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Mamãe que é Mamãe (Versão Grave) — Os Barões Da Pisadinha
- Estrela da Manhã / Mulher Ingrata e Fingida / O Mulher Ruim (Ao Vivo) — Wesley Safadão
- Ponta de Faca (Ao Vivo) — Wesley Safadão
- F9mily (You & Me) — Lil Nas X
- Meu Querubim / Displicente / Frases de Amor (Ao Vivo) — Yan
- Se Namorar Fosse Bom — Os Barões Da Pisadinha
- Zero Saudade — Os Barões Da Pisadinha
- Manda Boi (Ao Vivo) — Wesley Safadão
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
More songs in D Minor
- Estrela da Manhã / Mulher Ingrata e Fingida / O Mulher Ruim (Ao Vivo) — Wesley Safadão
- Você Pode Me Perder / Tá na Kara / Diga Pra Mim / Em Plena Lua de Mel (Ao Vivo) — Wesley Safadão
- DOLLA SIGN SLIME (feat. Megan Thee Stallion) — Lil Nas X
- Bring U Down — Lil Nas X
- Lost — Linkin Park
- BURN IT DOWN — Linkin Park
All songs in D Minor →All songs at 174 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
