Mallorca, Op. 202 by Julian Bream

What mixes with Mallorca, Op. 202

On the Camelot wheel, Mallorca, Op. 202 sits at 7A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:

• 8Aenergy boost
• 6Aenergy drop
• 7Brelative major

Mixes well with Mallorca, Op. 202

Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.

• Einaudi: Sarabande — Ludovico EinaudiD Minor · 7A · 107 BPM
• Suite populaire brésilienne, W020: III. Valse - Choro — Julian BreamA Minor · 8A · 107 BPM
• 85mm — Ludovico EinaudiA Minor · 8A · 107 BPM
• Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro — Eugene OrmandyG Minor · 6A · 110 BPM

Tracks to mix into it

Other analyzed songs in a compatible key, ready to line up next in a set:

• Five Bagatelles: Sempre espressivo — Julian Bream 8A · 183 BPM
• Suite populaire brésilienne, W020: III. Valse - Choro — Julian Bream 8A · 107 BPM
• Pavanas — Julian Bream 8A · 133 BPM
• Martin: 4 Pièces brèves: No. 1, Prélude — Julian Bream 8A · 136 BPM
• Rondo in A Minor, Op. 2, No. 3 — Julian Bream 8A · 170 BPM
• Suite in C Minor, BWV 997 (Excerpts Performed in A Minor): I. Prelude — Julian Bream 8A · 179 BPM

More songs in D Minor

• Farewell (A Fancy) (2022.b Remastered, Vienna 1956) — Julian Bream 147 BPM
• Prelude in C Minor, BWV 999 (Performed in D Minor) — Julian Bream 115 BPM
• Toccata & Fugue in D Minor, BWV 565 : Toccata — E. Power Biggs 140 BPM
• Toccata and Fugue in D Minor, BWV 565 — E. Power Biggs 123 BPM
• Toccata & Fugue in D Minor, BWV 565: Fugue — E. Power Biggs 174 BPM
• Sonata No. 1 for Solo Violin in G Minor, BWV 1001 : J.S. Bach: Sonata No. 1 for Solo Violin in G Minor, BWV 1001: III. Siciliana — Hilary Hahn 147 BPM