Songs / D# Minor · 143 BPM
Oh Me (Live) by Nirvana
Oh Me (Live) by Nirvana is in the key of D# Minor and runs at 143 BPM (or 71 BPM if you count it half-time), an up-tempo, energetic pace. Its Camelot code is 2A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Oh Me (Live)
On the Camelot wheel, Oh Me (Live) sits at 2A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 3Aenergy boost
- 1Aenergy drop
- 2Brelative major
Mixes well with Oh Me (Live)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- El Principio de algo — La La Love You
- Like It's Christmas — Jonas Brothers
- Fat She Fat — John Holt
- Meu Coração Pede Carona / Revelação (Ao Vivo) — Joao Neto & Frederico
- Honey (Money Kid-Friendly) — The Moonies
- Sinfonia à 8 in A Minor, ZWV 189 : V. Menuet I & II — Freiburger Barockorchester
- TOTSUKAWA — Meitei
- MEMORY ON ME — Naïka
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Quartet in D minor / ré mineur / d-moll: I. Andante — Petra Mullejans
- Sinfonia à 8 in A Minor, ZWV 189 : V. Menuet I & II — Freiburger Barockorchester
- Suite No. 3 in D Major, BWV 1068: II. Aria — Freiburger Barockorchester
- Concerto grosso No. 2 in F Major, Op. 6: III. Grave - Andante largo — Freiburger Barockorchester
- Part I. Overture in E minor: I. Ouverture: Lentement - Vite - Lentement — Petra Mullejans
- Lost — Michael Bublé
More songs in D# Minor
All songs in D# Minor →All songs at 143 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
