Songs / A# Major · 203 BPM
On and On (Rerecorded) by Stephen Bishop
On and On (Rerecorded) by Stephen Bishop is in the key of A# Major and runs at 203 BPM (or 101 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 6B, which is what you match against when you are mixing it harmonically with another track.
What mixes with On and On (Rerecorded)
On the Camelot wheel, On and On (Rerecorded) sits at 6B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 7Benergy boost
- 5Benergy drop
- 6Arelative minor
Mixes well with On and On (Rerecorded)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- St. Matthew Passion, BWV 244: Pt. III: Aria. Mache dich, mein Herze, rein (Bass) — Ernst Haefliger
- Whatchamacallit — Esquivel
- Concerto in C Minor, BWV 1060R (Adapt. for Mandolin, Recorder, Strings and Continuo) : J.S. Bach: Concerto in C Minor, BWV 1060R (Adapt. for Mandolin, Recorder, Strings and Continuo): I. Allegro — Avi Avital
- Partita No. 2 in C Minor, BWV 826: I. Sinfonia — Murray Perahia
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
More songs in A# Major
- On And On — Stephen Bishop
- Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto moto — Wiener Philharmoniker
- Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 15, Final Waltz and Apotheosis — Sir Simon Rattle
- Wachet auf, ruft uns die Stimme, No. 2, BWV 645 — Murray Perahia
- Nun komm, der Heiden Heiland, No. 3, BWV 659 — Murray Perahia
- Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro — Murray Perahia
All songs in A# Major →All songs at 203 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
