Songs / C Minor · 203 BPM
Piazzolla: Oblivion (Arr. Barker & Balsom for Trumpet and Orchestra) by Alison Balsom
Piazzolla: Oblivion (Arr. Barker & Balsom for Trumpet and Orchestra) by Alison Balsom is in the key of C Minor and runs at 203 BPM (or 101 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 5A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Piazzolla: Oblivion (Arr. Barker & Balsom for Trumpet and Orchestra)
On the Camelot wheel, Piazzolla: Oblivion (Arr. Barker & Balsom for Trumpet and Orchestra) sits at 5A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 6Aenergy boost
- 4Aenergy drop
- 5Brelative major
Mixes well with Piazzolla: Oblivion (Arr. Barker & Balsom for Trumpet and Orchestra)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Vivaldi: Violin Concerto in C Minor, RV 199 " Il sospetto": I. Allegro — Itzhak Perlman
- Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa — Philippe Jaroussky
- Vivaldi: Violin Concerto in G Minor, Op. 12 No. 1, RV 317: III. Allegro — Itzhak Perlman
- Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": IV. Finale. Presto — Quatuor Arod
- Couperin, L: Suite en do: IV. Sarabande, G. 25 — Jean Rondeau
- Symphony No. 5 in C Minor, Op. 67 : Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio — Berliner Philharmoniker
- Violin Concerto in E Major, BWV 1042: III. Allegro assai — Isabelle Faust
- Couperin, L: Suite en ré: II. Allemande, G. 35 — Jean Rondeau
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Brahms: 21 Hungarian Dances, WoO 1: No. 1 in G Minor (Transc. Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
- Bach, JS: 6 Schübler Chorales: I. Wachet auf, ruft uns die Stimme '(Wake, Awake for Night is Passing'), BWV 645 — Alison Balsom
- Symphony No. 40 in G Minor, K. 550: I. Molto allegro — Mozarteum Orchester Salzburg
- Pelléas et Mélisande, Op. 80: III. Sicilienne — Sinfonieorchester Basel
- Meeting Laura — Sir Simon Rattle
- Symphony No. 8 in G Major, Op. 88, B. 163 : Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace — Berliner Philharmoniker
More songs in C Minor
- Symphony No. 1 in C Major, Op. 21 : Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace — Berliner Philharmoniker
- Violin Concerto in C Minor, Op. 3 No. 2: I. Andante — Isabelle Faust
- Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro — Isabelle Faust
- Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa — Philippe Jaroussky
- Vivaldi: Stabat Mater in F Minor, RV 621: IV. Quis est homo — Philippe Jaroussky
- Vivaldi: Violin Concerto in C Minor, RV 199 " Il sospetto": I. Allegro — Itzhak Perlman
All songs in C Minor →All songs at 203 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.