Songs / C Major · 179 BPM
Shakespeare by Fink
Shakespeare by Fink is in the key of C Major and runs at 179 BPM (or 89 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 8B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Shakespeare
On the Camelot wheel, Shakespeare sits at 8B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Benergy boost
- 7Benergy drop
- 8Arelative minor
Mixes well with Shakespeare
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Beethoven: Violin Romance No. 2 in F Major, Op. 50 — Henryk Szeryng
- Trouble's What You're In (Live from Union Chapel, London – Oct 5 2011) — Fink
- Between the Sheets — Streetwize
- Quiet — Charlotte Day Wilson
- Perfect Darkness — Fink
- A Design for Life (2016 Remastered Version) — Manic Street Preachers
- La Aurora De Nueva York — Enrique Morente
- Le Carnaval des Animaux, R. 125 : Saint-Saëns: Le Carnaval des Animaux, R. 125: VII. Aquarium — Lucas Jussen
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Tu Vienes Vendiendo Flores (Soleá) — Enrique Morente
- Pequeño Vals Vienes (Take This Waltz) — Enrique Morente
- La Aurora De Nueva York — Enrique Morente
- I'm Thinkin' Of You (Radio Version) — 2 Brothers On the 4th Floor
- Living In Cyberspace (Radio Version) — 2 Brothers On the 4th Floor
- Let Me Be Free — 2 Brothers On the 4th Floor
More songs in C Major
All songs in C Major →All songs at 179 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
