Songs / G Major · 167 BPM
Stabat Mater : Pergolesi: Stabat Mater: 2. Cujus animam by Barbara Bonney
Stabat Mater : Pergolesi: Stabat Mater: 2. Cujus animam by Barbara Bonney is in the key of G Major and runs at 167 BPM (or 83 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 9B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Stabat Mater : Pergolesi: Stabat Mater: 2. Cujus animam
On the Camelot wheel, Stabat Mater : Pergolesi: Stabat Mater: 2. Cujus animam sits at 9B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 10Benergy boost
- 8Benergy drop
- 9Arelative minor
Mixes well with Stabat Mater : Pergolesi: Stabat Mater: 2. Cujus animam
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Symphony No. 60 in C Major, Hob. I:60 "Il distratto": I. Adagio - Allegro di molto — Berliner Philharmoniker
- C.P.E. Bach: Sonata in A Minor, H. 247: I. Allegro — Marc-André Hamelin
- 20 Irish Songs, WoO 153 : Beethoven: 20 Irish Songs, WoO 153: No. 11, When Far From the Home — Gerald Finley
- Shostakovich: Piano Concerto No. 1 with Trumpet and Strings, Op. 35: IV. Allegro con brio — BBC Scottish Symphony Orchestra
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists
- Stabat Mater : Pergolesi: Stabat Mater: 12. Quando corpus - Amen — Barbara Bonney
- Wieniawski: Polonaise de concert in D Major, Op. 4 (Arr. Goss for Violin, Guitar, Accordion & Cello) — Nicola Benedetti
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace — Les Violons du Roy
- Fauré: Nocturne No. 13 in B Minor, Op. 119 — Marc-André Hamelin
- C.P.E. Bach: Sonata in E Minor, H. 66: V. Gigue — Marc-André Hamelin
- C.P.E. Bach: Arioso with 9 Variations in C Major, H. 259: Var. 9 — Marc-André Hamelin
- Shostakovich: Piano Concerto No. 1 with Trumpet and Strings, Op. 35: IV. Allegro con brio — BBC Scottish Symphony Orchestra
- C.P.E. Bach: Arioso with 9 Variations in C Major, H. 259: Var. 7 — Marc-André Hamelin
More songs in G Major
- Barcarolle No. 2 in G Major, Op. 41 — Lucas Debargue
- String Quartet in G Major, Op. 17/5, Hob. III:29: II. Menuetto – Trio — Bennewitz Quartet
- C.P.E. Bach: Sonata in A Minor, H. 247: I. Allegro — Marc-André Hamelin
- Adams: Harmonielehre, Pt. III: Meister Eckhardt and Quackie — Edo de Waart
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 20, Romeo's Variation — Boston Symphony Orchestra
- Symphony No. 60 in C Major, Hob. I:60 "Il distratto": I. Adagio - Allegro di molto — Berliner Philharmoniker
All songs in G Major →All songs at 167 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.