Songs / D Minor · 123 BPM
Suricate (ODZ) by Videoclub
Suricate (ODZ) by Videoclub is in the key of D Minor and runs at 123 BPM, a steady dance-floor tempo. Its Camelot code is 7A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Suricate (ODZ)
On the Camelot wheel, Suricate (ODZ) sits at 7A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 8Aenergy boost
- 6Aenergy drop
- 7Brelative major
Mixes well with Suricate (ODZ)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Ce soir sans mon sexe — Fatal Bazooka
- Vagabond — Jeck
- Suite No. 11 in G Major for Winds a 5: II. Aria — Jordi Savall
- Suite No. 26 in D Minor for Gambas a 5: I. Ballet — Jordi Savall
- Suite No. 7 in D Minor for Gambas a 5: I. Ballet — Jordi Savall
- State Of The Art (A.E.I.O.U) — Jim James
- Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio — Alexandra Streliski
- C'est une pute — Fatal Bazooka
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
More songs in D Minor
- Suite No. 11 in G Major for Winds a 5: II. Aria — Jordi Savall
- Suite No. 3 in D Minor for Gambas a 5: I. Paduan — Jordi Savall
- Suite No. 26 in D Minor for Gambas a 5: I. Ballet — Jordi Savall
- The Art of the Fugue, BWV 1080: Contrapunctus 2 — Hesperion Xx
- Suite No. 8 in G Major for Gamben a 5: II. Ballet — Jordi Savall
- The Art of the Fugue, BWV 1080: Contrapunctus 1 — Hesperion Xx
All songs in D Minor →All songs at 123 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
