Songs / A Minor · 121 BPM
The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 3 by Daniil Trifonov
The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 3 by Daniil Trifonov is in the key of A Minor and runs at 121 BPM, a steady dance-floor tempo. Its Camelot code is 8A, which is what you match against when you are mixing it harmonically with another track.
What mixes with The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 3
On the Camelot wheel, The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 3 sits at 8A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Aenergy boost
- 7Aenergy drop
- 8Brelative major
Mixes well with The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 3
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Tabula rasa : Pärt: Tabula rasa: I. Ludus. Con moto (Live) — Gidon Kremer
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 1 — Daniil Trifonov
- Maroc — Avi Avital
- You've Been Away — Sofiane Pamart
- There'll Be A Day — Sofiane Pamart
- St. Matthew Passion, BWV 244: Pt. I: Aria. Gerne will ich mich bequemen (Bass) — Ernst Haefliger
- Siete canciones populares españolas: V: Nana (Bercuese) [Arranged for Violin & Orchestra by Joshua Bell] — Joshua Bell
- REQUIEM (Lacrimosa from Requiem in D) - Mozart Recomposed — Sofiane Pamart
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Maroc — Avi Avital
- Mandolin Concerto in G Major, S. 28 : Hummel: Mandolin Concerto in G Major, S. 28: II. Andante con variazioni — Avi Avital
- Concerto in C Minor, BWV 1060R (Adapt. for Mandolin, Recorder, Strings and Continuo) : J.S. Bach: Concerto in C Minor, BWV 1060R (Adapt. for Mandolin, Recorder, Strings and Continuo): II. Adagio — Avi Avital
- Götterdämmerung, Act II Scene 4 : Götterdämmerung, Act II Scene 4: Achtest du so der eigenen Ehre? — Helga Dernesch
- Così fan tutte, K. 588, Act II : Mozart: Così fan tutte, K. 588, Act II: No. 31, Finale: h. Fortunato l'uom che prende (Live) — Gundula Janowitz
- Le nozze di Figaro, K. 492, Act III : Mozart: Le nozze di Figaro, K. 492, Act III: No. 20b, Dove sono i bei momenti — Gundula Janowitz
More songs in A Minor
- Concerto in A Minor, RV 356 : Vivaldi: Concerto in A Minor, RV 356: III. Presto — Avi Avital
- Concerto in C Minor, BWV 1060R (Adapt. for Mandolin, Recorder, Strings and Continuo) : J.S. Bach: Concerto in C Minor, BWV 1060R (Adapt. for Mandolin, Recorder, Strings and Continuo): III. Allegro — Avi Avital
- Sonata in A Minor, K 59 (L 241) — Vladimir Horowitz
- London — Sofiane Pamart
- Le carnaval des animaux, R. 125 : Saint-Saëns: Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion — Martha Argerich
- Tabula rasa : Pärt: Tabula rasa: I. Ludus. Con moto (Live) — Gidon Kremer
All songs in A Minor →All songs at 121 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.