Songs / A# Major · 192 BPM
Titanic by Kany García
Titanic by Kany García is in the key of A# Major and runs at 192 BPM (or 96 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 6B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Titanic
On the Camelot wheel, Titanic sits at 6B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 7Benergy boost
- 5Benergy drop
- 6Arelative minor
Mixes well with Titanic
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Scarlatti, D: Keyboard Sonata in E Major, Kk. 216 — Jean Rondeau
- Haydn: String Quartet in G Major, Op. 76 No. 1, Hob. III:75: IV. Finale. Allegro ma non troppo — Quatuor Arod
- Haydn: String Quartet in B-Flat Major, Op. 76 No. 4, Hob. III:78 "Sunrise": IV. Finale. Allegro ma non troppo — Quatuor Arod
- Bach, JS: Violin Sonata No. 4 in C Minor, BWV 1017: II. Allegro — Martha Argerich
- Sonata for Flute and Continuo in E Minor, BWV 1034: III. Andante — François Lazarevitch
- Couperin, L: Suite en ré: II. Allemande, G. 35 — Jean Rondeau
- Symphony No. 5 in C Minor, Op. 67 : Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio — Berliner Philharmoniker
- Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": IV. Finale. Presto — Quatuor Arod
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Brahms: 21 Hungarian Dances, WoO 1: No. 1 in G Minor (Transc. Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
- Bach, JS: 6 Schübler Chorales: I. Wachet auf, ruft uns die Stimme '(Wake, Awake for Night is Passing'), BWV 645 — Alison Balsom
- Piano Concerto No. 19 in F Major, K. 459 (Transcribed for Harp & Orchestra by Xavier de Maistre): III. Allegro assai — Xavier de Maistre
- Symphony No. 40 in G Minor, K. 550: I. Molto allegro — Mozarteum Orchester Salzburg
- Piano Concerto No. 19 in F Major, K. 459 (Transcribed for Harp & Orchestra by Xavier de Maistre): I. Allegro vivace — Xavier de Maistre
- Pelléas et Mélisande, Op. 80: III. Sicilienne — Sinfonieorchester Basel
More songs in A# Major
- Nocturnes, Op. 9: II. Andante in E-Flat Major (Arr. for cello and piano) — Alexandre Tharaud
- Symphony No. 6 in F Major, Op. 68 "Pastoral" : Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso — Berliner Philharmoniker
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio — Claudio Abbado
- Symphony No. 2 in D Major, Op. 36 : Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio — Berliner Philharmoniker
- Matthäus-Passion, BWV 244, Pt. 2 : J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Bass) — Walter Berry
- Violin Sonata No. 10 in G Major, Op. 96 "The Cockrow": II. Adagio espressivo — Isabelle Faust
All songs in A# Major →All songs at 192 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.