Songs / F Major · 138 BPM
What Keeps You Up At Night by Dan + Shay
What Keeps You Up At Night by Dan + Shay is in the key of F Major and runs at 138 BPM (or 69 BPM if you count it half-time), an up-tempo, energetic pace. Its Camelot code is 7B, which is what you match against when you are mixing it harmonically with another track.
What mixes with What Keeps You Up At Night
On the Camelot wheel, What Keeps You Up At Night sits at 7B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 8Benergy boost
- 6Benergy drop
- 7Arelative minor
Mixes well with What Keeps You Up At Night
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Cimarosa: Sonata No. 55 in A Minor (Arr. Ólafsson) — Víkingur Ólafsson
- Mozart: Rondo in F Major, K. 494 — Víkingur Ólafsson
- Rameau: Les tendres plaintes — Víkingur Ólafsson
- …And at the Hour of Death — Víkingur Ólafsson
- Suite No. 11 in G Major for Winds a 5: II. Aria — Jordi Savall
- Suite No. 3 in D Minor for Gambas a 5: I. Paduan — Jordi Savall
More songs in F Major
- Requiem in D Minor, Op. 48: Pie Jesu (Ed. Marc Rigaudière) — Orchestra of the Age of Enlightenment
- C.P.E. Bach: Rondo II in D Minor, H. 290 — Víkingur Ólafsson
- Rameau: Les cyclopes — Víkingur Ólafsson
- Cimarosa: Sonata No. 42 in D Minor (Arr. Ólafsson) — Víkingur Ólafsson
- Aria della Battaglia à 8 — Hesperion Xx
- Right Where I Belong — Brian Wilson
All songs in F Major →All songs at 138 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.
