Songs / G# Major · 121 BPM
3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto by Lucas Debargue
3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto by Lucas Debargue is in the key of G# Major and runs at 121 BPM, a steady dance-floor tempo. Its Camelot code is 4B, which is what you match against when you are mixing it harmonically with another track.
What mixes with 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto
On the Camelot wheel, 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto sits at 4B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 5Benergy boost
- 3Benergy drop
- 4Arelative minor
Mixes well with 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Catone in Utica, Act I: Aria "Cervo in bosco" (Arbace) (Live) — Ann Hallenberg
- Happiness Does Not Wait (2021 Version) — Ólafur Arnalds
- Gli orti esperidi : Porpora: Gli orti esperidi - “Giusto Amor tu che m’accendi” — Cecilia Bartoli
- Orchestral Suite No. 3 in D Major, BWV 1068 : J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air — The English Concert
- Ballet royal de la Naissance de Vénus, LWV 27, Deuxième partie: Ritournelle (1) — Les Talens Lyriques
- Gloria : Vivaldi: Gloria: Cum Sancto Spiritu — Monteverdi Choir
- Confusion (Live) — Metallica
- George Gershwin's Songbook: No. 10. The Man I Love. Slow and in Singing Style (Version for Solo Piano by George Gershwin) — Vestard Shimkus
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Moment Musical, Op. 94, D. 780: No. 3 in F Minor (without Applause) — Lucas Debargue
- 2 Mélodies, Op. 46: No. 2 "Clair de lune" (Arr. for Piano by Mel Bonis) — Lucas Debargue
- Fauré: Nocturne No. 5 in B-Flat Major, Op. 37 — Marc-André Hamelin
- C.P.E. Bach: Rondo in C Minor, H. 283 — Marc-André Hamelin
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 32, Aria. But Thou Didst Not Leave His Soul in Hell (Soprano) — Margaret Marshall
- Gloria : Vivaldi: Gloria: Cum Sancto Spiritu — Monteverdi Choir
More songs in G# Major
- 8 Pièces brèves, Op. 84: I. Capriccio — Lucas Debargue
- 3 Romances sans paroles, Op. 17: Romance No. 3 in A-Flat Major - Andante moderato — Lucas Debargue
- Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed — Monteverdi Choir
- Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) — Robert Hale
- Idaspe, Act II, Scene 11: Aria "Ombra fedele anch' io" (Dario) (Live) — Ann Hallenberg
- Catone in Utica, Act I: Aria "Cervo in bosco" (Arbace) (Live) — Ann Hallenberg
All songs in G# Major →All songs at 121 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.