Songs / G# Major · 110 BPM
Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) by Robert Hale
Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) by Robert Hale is in the key of G# Major and runs at 110 BPM, a steady dance-floor tempo. Its Camelot code is 4B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass)
On the Camelot wheel, Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) sits at 4B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 5Benergy boost
- 3Benergy drop
- 4Arelative minor
Mixes well with Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- they sink — Ólafur Arnalds
- 3 Romances sans paroles, Op. 17: Romance No. 3 in A-Flat Major - Andante moderato — Lucas Debargue
- Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed — Monteverdi Choir
- Piano Quintet in F Minor, Op. 34 : Brahms: Piano Quintet in F Minor, Op. 34: I. Allegro non troppo — Amadeus Quartet
- Dolly Suite, Op. 56 (Orch. Rabaud) : Fauré: Dolly Suite, Op. 56 (Orch. Rabaud): IV. Kitty-valse — Boston Symphony Orchestra
- Idaspe: Ombra fedela anch'io (Air de Dario) — Ragin Derek Lee
- saman (berlin) (live) — Ólafur Arnalds
- Dushkin: Sicilienne (Prev. Attrib. Paradis) [Arr. Pochin & Morgan for Violin, Guitar, Accordion & Cello] — Nicola Benedetti
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro — Daniel Barenboim
- Piano Quintet in F Minor, Op. 34 : Brahms: Piano Quintet in F Minor, Op. 34: I. Allegro non troppo — Amadeus Quartet
- Piano Sonata No. 14 in C Minor, K. 457 : Mozart: Piano Sonata No. 14 in C Minor, K. 457: II. Adagio — Christoph Eschenbach
- Schubert: Die Forelle, D. 550 — Renée Fleming
- Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major — Eric Lu
- 9 Préludes, Op. 103: No. 4 in F Major — Lucas Debargue
More songs in G# Major
- 8 Pièces brèves, Op. 84: I. Capriccio — Lucas Debargue
- 3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto — Lucas Debargue
- 3 Romances sans paroles, Op. 17: Romance No. 3 in A-Flat Major - Andante moderato — Lucas Debargue
- Messiah, HWV 56, Pt. 1 : Handel: Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed — Monteverdi Choir
- Idaspe, Act II, Scene 11: Aria "Ombra fedele anch' io" (Dario) (Live) — Ann Hallenberg
- Catone in Utica, Act I: Aria "Cervo in bosco" (Arbace) (Live) — Ann Hallenberg
All songs in G# Major →All songs at 110 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.