Songs / D Minor · 167 BPM
Ach Gott, wie manches Herzeleid, Cantata BWV 58 : J.S. Bach: Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. Aria. Ich bin vergnügt in meinem Leiden by Kathleen Battle
Ach Gott, wie manches Herzeleid, Cantata BWV 58 : J.S. Bach: Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. Aria. Ich bin vergnügt in meinem Leiden by Kathleen Battle is in the key of D Minor and runs at 167 BPM (or 83 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 7A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Ach Gott, wie manches Herzeleid, Cantata BWV 58 : J.S. Bach: Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. Aria. Ich bin vergnügt in meinem Leiden
On the Camelot wheel, Ach Gott, wie manches Herzeleid, Cantata BWV 58 : J.S. Bach: Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. Aria. Ich bin vergnügt in meinem Leiden sits at 7A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 8Aenergy boost
- 6Aenergy drop
- 7Brelative major
Mixes well with Ach Gott, wie manches Herzeleid, Cantata BWV 58 : J.S. Bach: Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. Aria. Ich bin vergnügt in meinem Leiden
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Trois Mélodies, Op. 7: No. 1, Après un rêve (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 8 — Daniil Trifonov
- Schwanengesang, D. 957 : Schubert: Schwanengesang, D. 957: IV. Ständchen in D Minor (Arr. for Violin and Piano) — Anne-Sophie Mutter
- Shaker Loops : Adams: Shaker Loops: 3. Loops and Verses — San Francisco Symphony
- Impromptu No. 2 in F Minor, Op. 31 — Lucas Debargue
- Suite No. 1 for 2 Pianos, Op. 5 "Fantaisie-tableaux" : Rachmaninoff: Suite No. 1 for 2 Pianos, Op. 5 "Fantaisie-tableaux": IV. Easter — Daniil Trifonov
- Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assai — Bernard Labadie
- A Midsummer Night's Dream, Op. 61 : Mendelssohn: A Midsummer Night's Dream, Op. 61: No. 10b, Funeral March — Boston Symphony Orchestra
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- The Pearl Fishers, WD 13: Je crois entendre encore (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- Concerto In F Major "L'autunno", Op. 8, No. 3, RV 293 : Vivaldi: Concerto In F Major "L'autunno", Op. 8, No. 3, RV 293: I. Allegro — Nadja Salerno-Sonnenberg
- Mozart: Die Zauberflöte, K. 620, Act 2: Arie. "Ein Mädchen oder Weibchen" (Papageno) — Otto Klemperer
- Mozart: Die Zauberflöte, K. 620, Act 2: Arie. "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht) — Otto Klemperer
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus [12] [rectus] — Daniil Trifonov
- J.S. Bach: [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725) — Daniil Trifonov
More songs in D Minor
- Concerto In G Minor "L'estate", Op. 8, No. 2, RV 315 : Vivaldi: Concerto In G Minor "L'estate", Op. 8, No. 2, RV 315: III. Presto — Nadja Salerno-Sonnenberg
- Trois Mélodies, Op. 7: No. 1, Après un rêve (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro — Daniel Barenboim
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 4 — Daniil Trifonov
- Rhapsody on a Theme of Paganini, Op. 43 : Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Variation No. 12 Tempo di minuetto — Daniil Trifonov
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 8 — Daniil Trifonov
All songs in D Minor →All songs at 167 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.