Songs / A Minor · 152 BPM
J.S. Bach: [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725) by Daniil Trifonov
J.S. Bach: [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725) by Daniil Trifonov is in the key of A Minor and runs at 152 BPM (or 76 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 8A, which is what you match against when you are mixing it harmonically with another track.
What mixes with J.S. Bach: [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725)
On the Camelot wheel, J.S. Bach: [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725) sits at 8A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 9Aenergy boost
- 7Aenergy drop
- 8Brelative major
Mixes well with J.S. Bach: [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- The Pearl Fishers, WD 13: Je crois entendre encore (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- Gluck / Arr. Wagner: Iphigénie en Aulide, Wq. 40: Ouverture — Otto Klemperer
- Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — — Otto Klemperer
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 2 — Daniil Trifonov
- Feldman: For Bunita Marcus (1985): page 4 — Marc-André Hamelin
- Midsummer Night's Dream, Op. 61 : Mendelssohn: Midsummer Night's Dream, Op. 61: No. 9, Wedding March — Boston Symphony Orchestra
- 12 Études d'exécution transcendante, S. 139 : Liszt: 12 Études d'exécution transcendante, S. 139: No. 2 Molto vivace — Daniil Trifonov
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 21, Love Dance — Boston Symphony Orchestra
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Ach Gott, wie manches Herzeleid, Cantata BWV 58 : J.S. Bach: Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. Aria. Ich bin vergnügt in meinem Leiden — Kathleen Battle
- Concerto In G Minor "L'estate", Op. 8, No. 2, RV 315 : Vivaldi: Concerto In G Minor "L'estate", Op. 8, No. 2, RV 315: III. Presto — Nadja Salerno-Sonnenberg
- Siete canciones populares españolas: V: Nana (Bercuese) [Arranged for Violin & Orchestra by Joshua Bell] — Joshua Bell
- Concerto In F Major "L'autunno", Op. 8, No. 3, RV 293 : Vivaldi: Concerto In F Major "L'autunno", Op. 8, No. 3, RV 293: II. Adagio molto — Nadja Salerno-Sonnenberg
- Trois Mélodies, Op. 7: No. 1, Après un rêve (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- Gluck / Arr. Wagner: Iphigénie en Aulide, Wq. 40: Ouverture — Otto Klemperer
More songs in A Minor
- The Pearl Fishers, WD 13: Je crois entendre encore (Arranged for Violin & Orchestra by Joshua Bell) — Joshua Bell
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus [12] [rectus] — Daniil Trifonov
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 3 — Daniil Trifonov
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 1 — Daniil Trifonov
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 6 [per Diminutionem] in Stylo Francese — Daniil Trifonov
- The Art Of Fugue, BWV 1080 : J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 10 alla Decima — Daniil Trifonov
All songs in A Minor →All songs at 152 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.