Songs / A# Major · 165 BPM
Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano) by Alexandre Tharaud
Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano) by Alexandre Tharaud is in the key of A# Major and runs at 165 BPM (or 82 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 6B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano)
On the Camelot wheel, Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano) sits at 6B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 7Benergy boost
- 5Benergy drop
- 6Arelative minor
Mixes well with Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Bygone Days (from 'Porco Rosso') — Joe Hisaishi
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio — Claudio Abbado
- Matthäus-Passion, BWV 244, Pt. 2 : J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Bass) — Walter Berry
- Haydn: String Quartet in E-Flat Major, Op. 76 No. 6, Hob. III:80: III. Menuetto - Alternativo — Quatuor Arod
- Suite No. 4 in E Flat Major BWV 1010. : V. Bourrées I & II — Jean-Guihen Queyras
- Suite No. 5 in C Minor BWV 1011 : II. Allemande — Jean-Guihen Queyras
- Symphony No. 6 in F Major, Op. 68 "Pastoral" : Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto — Berliner Philharmoniker
- Brahms: 21 Hungarian Dances, WoO 1: No. 1 in G Minor (Transc. Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Ponyo on the Cliff by the Sea (from 'Ponyo on the Cliff by the Sea') — Joe Hisaishi
- Schubert: Ave Maria, D. 839 — Renée Fleming
- 드뷔시: 꿈, L. 68 : Debussy: Rêverie, CD 76 (Arr. Cullen for Cello & Orchestra) — Julian Lloyd Webber
- Suite no.5 in C minor BWV 1011 : I. Prélude — Jean-Guihen Queyras
- Suite No. 4 in E Flat Major BWV 1010. : V. Bourrées I & II — Jean-Guihen Queyras
- Suite No. 5 in C Minor BWV 1011 : II. Allemande — Jean-Guihen Queyras
More songs in A# Major
- Bygone Days (from 'Porco Rosso') — Joe Hisaishi
- Nocturnes, Op. 9: II. Andante in E-Flat Major (Arr. for cello and piano) — Alexandre Tharaud
- Symphony No. 6 in F Major, Op. 68 "Pastoral" : Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso — Berliner Philharmoniker
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio — Claudio Abbado
- Symphony No. 2 in D Major, Op. 36 : Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio — Berliner Philharmoniker
- Matthäus-Passion, BWV 244, Pt. 2 : J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Bass) — Walter Berry
All songs in A# Major →All songs at 165 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.