Songs / A# Major · 165 BPM
Bygone Days (from 'Porco Rosso') by Joe Hisaishi
Bygone Days (from 'Porco Rosso') by Joe Hisaishi is in the key of A# Major and runs at 165 BPM (or 82 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 6B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Bygone Days (from 'Porco Rosso')
On the Camelot wheel, Bygone Days (from 'Porco Rosso') sits at 6B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 7Benergy boost
- 5Benergy drop
- 6Arelative minor
Mixes well with Bygone Days (from 'Porco Rosso')
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio — Claudio Abbado
- Matthäus-Passion, BWV 244, Pt. 2 : J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Bass) — Walter Berry
- Haydn: String Quartet in E-Flat Major, Op. 76 No. 6, Hob. III:80: III. Menuetto - Alternativo — Quatuor Arod
- Suite No. 4 in E Flat Major BWV 1010. : V. Bourrées I & II — Jean-Guihen Queyras
- Suite No. 5 in C Minor BWV 1011 : II. Allemande — Jean-Guihen Queyras
- Symphony No. 6 in F Major, Op. 68 "Pastoral" : Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto — Berliner Philharmoniker
- Brahms: 21 Hungarian Dances, WoO 1: No. 1 in G Minor (Transc. Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Ponyo on the Cliff by the Sea (from 'Ponyo on the Cliff by the Sea') — Joe Hisaishi
- Schubert: Ave Maria, D. 839 — Renée Fleming
- 드뷔시: 꿈, L. 68 : Debussy: Rêverie, CD 76 (Arr. Cullen for Cello & Orchestra) — Julian Lloyd Webber
- Suite no.5 in C minor BWV 1011 : I. Prélude — Jean-Guihen Queyras
- Suite No. 4 in E Flat Major BWV 1010. : V. Bourrées I & II — Jean-Guihen Queyras
- Suite No. 5 in C Minor BWV 1011 : II. Allemande — Jean-Guihen Queyras
More songs in A# Major
- Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
- Nocturnes, Op. 9: II. Andante in E-Flat Major (Arr. for cello and piano) — Alexandre Tharaud
- Symphony No. 6 in F Major, Op. 68 "Pastoral" : Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso — Berliner Philharmoniker
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio — Claudio Abbado
- Symphony No. 2 in D Major, Op. 36 : Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio — Berliner Philharmoniker
- Matthäus-Passion, BWV 244, Pt. 2 : J.S. Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. Mache dich, mein Herze, rein (Bass) — Walter Berry
All songs in A# Major →All songs at 165 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.