Songs / A Major · 110 BPM
Feldman: For Bunita Marcus (1985): page 27 by Marc-André Hamelin
Feldman: For Bunita Marcus (1985): page 27 by Marc-André Hamelin is in the key of A Major and runs at 110 BPM, a steady dance-floor tempo. Its Camelot code is 11B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Feldman: For Bunita Marcus (1985): page 27
On the Camelot wheel, Feldman: For Bunita Marcus (1985): page 27 sits at 11B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 12Benergy boost
- 10Benergy drop
- 11Arelative minor
Mixes well with Feldman: For Bunita Marcus (1985): page 27
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) — Michael Spyres
- Violin Concerto in B-Flat Major, RV 583 : Vivaldi: Violin Concerto in B-Flat Major, RV 583: II. Andante — Nicola Benedetti
- Concerto grosso in C Minor, Op. 6, No. 3 : Corelli: Concerto grosso in C Minor, Op. 6, No. 3: I. Largo — The English Concert
- Romeo and Juliet, Op. 64 / Act III : Prokofiev: Romeo and Juliet, Op. 64 / Act III: No. 49, Dance of the Girls with Lilies — Boston Symphony Orchestra
- Dawn — Memorial
- Violin Concerto No. 1 in D Major : Price: Violin Concerto No. 1 in D Major: III. Allegro — Randall Goosby
- Oceans — RY X
- Beethoven: Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo. Allegretto — Daniel Barenboim
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Shostakovich: Piano Concerto No. 1 with Trumpet and Strings, Op. 35: IV. Allegro con brio — BBC Scottish Symphony Orchestra
- Scriabin: Fantaisie in B Minor, Op. 28 — Marc-André Hamelin
- Barmherziges Herze der ewigen Liebe, BWV 185: Aria Duet. Barmherziges Herze der ewigen Liebe (Soprano, Tenor) — Magdalena Kožená
- Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner : Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum me festina — Monteverdi Choir
- Messiah, HWV 56, Pt. 3 : Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory — Monteverdi Choir
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir
More songs in A Major
- J.S. Bach: O Jesu Christ, mein's Lebens Licht Motet, BWV 118 — English Baroque Soloists
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme — Anthony Robson
- Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia — San Francisco Symphony
- Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 10, The Young Juliet — Boston Symphony Orchestra
- Symphonie fantastique, H. 48 : Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse — Boston Symphony Orchestra
All songs in A Major →All songs at 110 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.