Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia by San Francisco Symphony

What mixes with Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia

On the Camelot wheel, Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia sits at 11B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:

• 12Benergy boost
• 10Benergy drop
• 11Arelative minor

Mixes well with Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia

Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.

• Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 10, The Young Juliet — Boston Symphony OrchestraA Major · 11B · 156 BPM
• The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4 : Vivaldi: The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo — Simon StandageA Major · 11B · 158 BPM
• Violin Concerto in E-Flat Major, RV 257 : Vivaldi: Violin Concerto in E-Flat Major, RV 257: I. Andante molto quasi allegro — Nicola BenedettiA Major · 11B · 147 BPM
• Messiah, HWV 56, Pt. 3 : Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory — Monteverdi ChoirD Major · 10B · 150 BPM
• Stabat Mater : Pergolesi: Stabat Mater: 5. Quis est homo — Barbara BonneyF# Minor · 11A · 158 BPM
• Violin Concerto in G Major, Op. 8, No. 2: I. Allegro — Joseph Bologne, Chevalier de Saint-GeorgesD Major · 10B · 158 BPM
• Beethoven: Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio — Daniel BarenboimD Major · 10B · 147 BPM
• Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque SoloistsD Major · 10B · 160 BPM

Tracks to mix into it

Other analyzed songs in a compatible key, ready to line up next in a set:

• Scriabin: Fantaisie in B Minor, Op. 28 — Marc-André Hamelin 11A · 136 BPM
• Barmherziges Herze der ewigen Liebe, BWV 185: Aria Duet. Barmherziges Herze der ewigen Liebe (Soprano, Tenor) — Magdalena Kožená 11A · 144 BPM
• Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner : Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum me festina — Monteverdi Choir 10B · 127 BPM
• Messiah, HWV 56, Pt. 3 : Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory — Monteverdi Choir 10B · 150 BPM
• Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir 10B · 174 BPM
• Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists 10B · 160 BPM

More songs in A Major

• Feldman: For Bunita Marcus (1985): page 27 — Marc-André Hamelin 110 BPM
• J.S. Bach: O Jesu Christ, mein's Lebens Licht Motet, BWV 118 — English Baroque Soloists 179 BPM
• Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme — Anthony Robson 200 BPM
• Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa 123 BPM
• Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 10, The Young Juliet — Boston Symphony Orchestra 156 BPM
• Symphonie fantastique, H. 48 : Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse — Boston Symphony Orchestra 119 BPM