Songs / B Minor · 179 BPM
Swan Lake, Op. 20, TH 12 / Act II : Tchaikovsky: Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) by Boston Symphony Orchestra
Swan Lake, Op. 20, TH 12 / Act II : Tchaikovsky: Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) by Boston Symphony Orchestra is in the key of B Minor and runs at 179 BPM (or 89 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 10A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Swan Lake, Op. 20, TH 12 / Act II : Tchaikovsky: Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato)
On the Camelot wheel, Swan Lake, Op. 20, TH 12 / Act II : Tchaikovsky: Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) sits at 10A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 11Aenergy boost
- 9Aenergy drop
- 10Brelative major
Mixes well with Swan Lake, Op. 20, TH 12 / Act II : Tchaikovsky: Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Piano Concerto No. 23 in A Major, K. 488 : Mozart: Piano Concerto No. 23 in A Major, K. 488: 2. Adagio (Live) — Momo Kodama
- Flute Concerto in F Major, RV 433, Op. 10 No. 1 "La tempesta di mare" : Vivaldi: Flute Concerto in F Major, RV 433, Op. 10 No. 1 "La tempesta di mare": II. Largo — Lisa Beznosiuk
- Fauré: Nocturne No. 13 in B Minor, Op. 119 — Marc-André Hamelin
- So Far — Ólafur Arnalds
- Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante — Christoph Eschenbach
- Ancient Airs & Dances, Suite II, P. 138 : Respighi: Ancient Airs & Dances, Suite II, P. 138: IV. Bergamasca (Gianoncelli) — Boston Symphony Orchestra
- Violin Concerto in E Minor, Op. 64, MWV O 14 : Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O 14: 1. Allegro molto appassionato — Nicola Benedetti
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante — Christoph Eschenbach
- Sonata in G Major, K. 521 — Lucas Debargue
- Sonata in C Major, K. 132, L. 457 (Live) — Lucas Debargue
- Pavane in F-Sharp Minor, Op. 50 — Lucas Debargue
- 8 Pièces brèves, Op. 84: VI. Fugue — Lucas Debargue
- Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace — Les Violons du Roy
More songs in B Minor
- C.P.E. Bach: Sonata in E Minor, H. 66: II. Courante — Marc-André Hamelin
- Piano Concerto No. 23 in A Major, K. 488 : Mozart: Piano Concerto No. 23 in A Major, K. 488: 2. Adagio (Live) — Momo Kodama
- Ravel: Pavane pour une infante défunte, M. 19a — Charles Kavaloski
- Stabat Mater : Pergolesi: Stabat Mater: 7. Eia Mater — Andreas Scholl
- Beethoven: Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace — Daniel Barenboim
- Concerto grosso in C Minor, Op. 6, No. 3 : Corelli: Concerto grosso in C Minor, Op. 6, No. 3: IV. Vivace — The English Concert
All songs in B Minor →All songs at 179 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.