Songs / B Minor · 156 BPM
Ravel: Pavane pour une infante défunte, M. 19a by Charles Kavaloski
Ravel: Pavane pour une infante défunte, M. 19a by Charles Kavaloski is in the key of B Minor and runs at 156 BPM, a fast, high-energy tempo. Its Camelot code is 10A, which is what you match against when you are mixing it harmonically with another track.
What mixes with Ravel: Pavane pour une infante défunte, M. 19a
On the Camelot wheel, Ravel: Pavane pour une infante défunte, M. 19a sits at 10A. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 11Aenergy boost
- 9Aenergy drop
- 10Brelative major
Mixes well with Ravel: Pavane pour une infante défunte, M. 19a
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Base & Apex — Brian Eno
- Stabat Mater : Pergolesi: Stabat Mater: 7. Eia Mater — Andreas Scholl
- Stabat Mater : Pergolesi: Stabat Mater: 5. Quis est homo — Barbara Bonney
- Violin Concerto in G Major, Op. 8, No. 2: I. Allegro — Joseph Bologne, Chevalier de Saint-Georges
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists
- Wieniawski: Polonaise de concert in D Major, Op. 4 (Arr. Goss for Violin, Guitar, Accordion & Cello) — Nicola Benedetti
- Jeux Interdits : Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) — Miloš Karadaglić
- Beethoven: Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio — Daniel Barenboim
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists
- Vespro della Beata Vergine, SV 206 : Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (Live) — Nigel Robson
- Symphonie fantastique, Op. 14, H. 48: II. Un bal — San Francisco Symphony
- The Outlaw Torn (Live) — Metallica
- Scythian Suite, Opus 20 II: The Enemy God And The Dance Of The Dark Spirits (Live) — Metallica
- Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise — Seiji Ozawa
More songs in B Minor
- Piano Concerto No. 23 in A Major, K. 488 : Mozart: Piano Concerto No. 23 in A Major, K. 488: 2. Adagio (Live) — Momo Kodama
- Swan Lake, Op. 20, TH 12 / Act II : Tchaikovsky: Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) — Boston Symphony Orchestra
- Stabat Mater : Pergolesi: Stabat Mater: 7. Eia Mater — Andreas Scholl
- Beethoven: Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace — Daniel Barenboim
- Concerto grosso in C Minor, Op. 6, No. 3 : Corelli: Concerto grosso in C Minor, Op. 6, No. 3: IV. Vivace — The English Concert
- Flute Concerto in F Major, RV 433, Op. 10 No. 1 "La tempesta di mare" : Vivaldi: Flute Concerto in F Major, RV 433, Op. 10 No. 1 "La tempesta di mare": II. Largo — Lisa Beznosiuk
All songs in B Minor →All songs at 156 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.