File Analysis Tool
Upload an audio file to view waveform and analyze key musical data.
Analysis Results
| File Name | Duration | BPM | Key | Camelot | Confidence | Analyzed |
|---|---|---|---|---|---|---|
| No tracks analyzed yet. | ||||||
Upload an audio file to view waveform and analyze key musical data.
| File Name | Duration | BPM | Key | Camelot | Confidence | Analyzed |
|---|---|---|---|---|---|---|
| No tracks analyzed yet. | ||||||
Tap a tempo or run a precise metronome from the same BPM source.
Tempo-locked click with accent control.
Tap along and send the result to every tempo tool.
Convert frequency to nearest note, octave, and cents offset.
Powered by the MIDI fractional note formula.
Download from YouTube, Spotify, SoundCloud, and more as an MP3, WAV, or MP4. You can also convert a file from your computer.
Works with YouTube, SoundCloud, TikTok, Instagram, X, Bandcamp, Vimeo, Mixcloud, Audiomack, and Spotify. For personal use only. The first conversion can take a minute to wake up.
Convert local audio files entirely in your browser.
See how much each streaming service will turn your track down.
Slow down, speed up, add reverb, and reshape any track.
Trim a song down to the part you want, add a fade, and save it as an MP3 or WAV. Everything runs in your browser.
Recent local results stay on this device.
Drop the track in, pull the speed down to roughly 0.75 to 0.85, pick a reverb type, then export. Most of the sound comes from those two moves. From there the parametric reverb EQ is what separates a clean edit from a muddy one.
Because slowing audio stretches its waveform, which drops the pitch with it, exactly like playing a record at a lower speed. That coupling is the slowed aesthetic, not a bug. If you want the slower tempo without the darker pitch, raise the pitch control back up separately.
Push the speed above 1.0, usually somewhere around 1.25, and the pitch rises with it. That's the whole nightcore effect. Add little or no reverb, since nightcore wants the opposite of the washed-out slowed sound.
It shapes the reverb tail rather than the song. Drag the bands to cut low mud out of a big hall, or roll off the top so the tail sits behind the vocal instead of hissing over it. There are five reverb types to start from, and the EQ is what makes each one usable on a specific track.