Songs / A Major · 155 BPM
Fauré: Nocturne No. 10 in E Minor, Op. 99 by Marc-André Hamelin
Fauré: Nocturne No. 10 in E Minor, Op. 99 by Marc-André Hamelin is in the key of A Major and runs at 155 BPM (or 77 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 11B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Fauré: Nocturne No. 10 in E Minor, Op. 99
On the Camelot wheel, Fauré: Nocturne No. 10 in E Minor, Op. 99 sits at 11B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 12Benergy boost
- 10Benergy drop
- 11Arelative minor
Mixes well with Fauré: Nocturne No. 10 in E Minor, Op. 99
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 10, The Young Juliet — Boston Symphony Orchestra
- Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia — San Francisco Symphony
- The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4 : Vivaldi: The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo — Simon Standage
- Violin Concerto in E-Flat Major, RV 257 : Vivaldi: Violin Concerto in E-Flat Major, RV 257: I. Andante molto quasi allegro — Nicola Benedetti
- Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace — Les Violons du Roy
- Stabat Mater : Pergolesi: Stabat Mater: 5. Quis est homo — Barbara Bonney
- Messiah, HWV 56, Pt. 3 : Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory — Monteverdi Choir
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Vocalise No. 2 - Andantino — Gidon Kremer
- Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace — Les Violons du Roy
- Scriabin: Piano Sonata No. 3 in F-Sharp Minor, Op. 23: IV. Presto con fuoco — Marc-André Hamelin
- Fauré: Nocturne No. 13 in B Minor, Op. 119 — Marc-André Hamelin
- Shostakovich: Piano Concerto No. 1 with Trumpet and Strings, Op. 35: IV. Allegro con brio — BBC Scottish Symphony Orchestra
- Scriabin: Fantaisie in B Minor, Op. 28 — Marc-André Hamelin
More songs in A Major
- C.P.E. Bach: Arioso with 9 Variations in C Major, H. 259: Var. 8 — Marc-André Hamelin
- Feldman: For Bunita Marcus (1985): page 27 — Marc-André Hamelin
- J.S. Bach: O Jesu Christ, mein's Lebens Licht Motet, BWV 118 — English Baroque Soloists
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme — Anthony Robson
- Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia — San Francisco Symphony
- Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa
All songs in A Major →All songs at 155 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.