Songs / A# Major · 172 BPM
I'll Always Love You by Boney James
I'll Always Love You by Boney James is in the key of A# Major and runs at 172 BPM (or 86 BPM if you count it half-time), a fast, high-energy tempo. Its Camelot code is 6B, which is what you match against when you are mixing it harmonically with another track.
What mixes with I'll Always Love You
On the Camelot wheel, I'll Always Love You sits at 6B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 7Benergy boost
- 5Benergy drop
- 6Arelative minor
Mixes well with I'll Always Love You
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Bygone Days (from 'Porco Rosso') — Joe Hisaishi
- Brahms: 21 Hungarian Dances, WoO 1: No. 4 in G Minor (Transc Tharaud & Queyras for Cello and Piano) — Alexandre Tharaud
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio — Claudio Abbado
- Humoreske in B-Flat Major, Op. 20: III. Einfach und zart — Nikolai Lugansky
- Carrying You (from 'Castle in the Sky') — Joe Hisaishi
- Schubert: Ave Maria, D. 839 — Renée Fleming
- 드뷔시: 꿈, L. 68 : Debussy: Rêverie, CD 76 (Arr. Cullen for Cello & Orchestra) — Julian Lloyd Webber
- Violin Sonata in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile — Isabelle Faust
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Humoreske in B-Flat Major, Op. 20: IV. Innig — Nikolai Lugansky
- Faschingsschwank Aus Wien, Op. 26: I. Allegro. Sehr lebhaft — Nikolai Lugansky
- Fantasie in C Major, Op. 17: II. Mäßig. Durchaus energisch — Nikolai Lugansky
- Humoreske in B-Flat Major, Op. 20: III. Einfach und zart — Nikolai Lugansky
- Humoreske in B-Flat Major, Op. 20: Ia. Einfach — Nikolai Lugansky
- Faschingsschwank Aus Wien, Op. 26: III. Scherzino — Nikolai Lugansky
More songs in A# Major
- Sinphonia No. 6 for Strings & Continuo in E-Flat Major, Op. 1.12: II. Adagio — La Serenissima
- Concerto for 2 Violins and Continuo in E-Flat Major: II. Allegro — La Serenissima
- Concerto 'per Maestro dè Morzin' for Bassoon, Strings & Continuo in G Minor, RV 496: II. Largo — Peter Whelan
- The Four Seasons: Concerto No. 4 in F Minor, RV 297 "L'inverno" (winter): II. Largo — Adrian Chandler
- Tin: Iza Ngomso - "Come Tomorrow" — Christopher Tin
- Bygone Days (from 'Porco Rosso') — Joe Hisaishi
All songs in A# Major →All songs at 172 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.