Songs / D Major · 134 BPM
Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise by Seiji Ozawa
Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise by Seiji Ozawa is in the key of D Major and runs at 134 BPM (or 67 BPM if you count it half-time), an up-tempo, energetic pace. Its Camelot code is 10B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise
On the Camelot wheel, Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise sits at 10B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 11Benergy boost
- 9Benergy drop
- 10Arelative minor
Mixes well with Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Vespro della Beata Vergine, SV 206 : Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (Live) — Nigel Robson
- Violin Concerto in E-Flat Major, RV 257 : Vivaldi: Violin Concerto in E-Flat Major, RV 257: II. Adagio — Nicola Benedetti
- Sarasate: Navarra, Op. 33 (Arr. Goss for 2 Violins, Guitar, Accordion & Cello) — Nicola Benedetti
- Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313 : Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. [Menuett]. Vivace — The English Concert
- We Contain Multitudes — piano reworks — Yiruma
- Cello Sonata No. 2 in G Minor, Op. 5, No. 2: II. Rondo. Allegro — Paul Watkins
- Stabat Mater : Pergolesi: Stabat Mater: 10. Fac ut portem — Andreas Scholl
- Violin Concerto in E-Flat Major, RV 257 : Vivaldi: Violin Concerto in E-Flat Major, RV 257 - III. Allegro — Nicola Benedetti
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme — Anthony Robson
- Adams: Harmonielehre, Pt. III: Meister Eckhardt and Quackie — Edo de Waart
- Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia — San Francisco Symphony
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 20, Romeo's Variation — Boston Symphony Orchestra
- Symphony No. 60 in C Major, Hob. I:60 "Il distratto": I. Adagio - Allegro di molto — Berliner Philharmoniker
- Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa
More songs in D Major
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists
- Vespro della Beata Vergine, SV 206 : Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (Live) — Nigel Robson
- Symphonie fantastique, Op. 14, H. 48: II. Un bal — San Francisco Symphony
- Ancient Airs & Dances, Suite II, P. 138 : Respighi: Ancient Airs & Dances, Suite II, P. 138: IV. Bergamasca (Gianoncelli) — Boston Symphony Orchestra
- Near Light — Ólafur Arnalds
All songs in D Major →All songs at 134 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.