Songs / A Major · 135 BPM
Sarasate: Navarra, Op. 33 (Arr. Goss for 2 Violins, Guitar, Accordion & Cello) by Nicola Benedetti
Sarasate: Navarra, Op. 33 (Arr. Goss for 2 Violins, Guitar, Accordion & Cello) by Nicola Benedetti is in the key of A Major and runs at 135 BPM (or 68 BPM if you count it half-time), an up-tempo, energetic pace. Its Camelot code is 11B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Sarasate: Navarra, Op. 33 (Arr. Goss for 2 Violins, Guitar, Accordion & Cello)
On the Camelot wheel, Sarasate: Navarra, Op. 33 (Arr. Goss for 2 Violins, Guitar, Accordion & Cello) sits at 11B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 12Benergy boost
- 10Benergy drop
- 11Arelative minor
Mixes well with Sarasate: Navarra, Op. 33 (Arr. Goss for 2 Violins, Guitar, Accordion & Cello)
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Violin Concerto in E-Flat Major, RV 257 : Vivaldi: Violin Concerto in E-Flat Major, RV 257: II. Adagio — Nicola Benedetti
- Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313 : Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. [Menuett]. Vivace — The English Concert
- Violin Concerto in E-Flat Major, RV 257 : Vivaldi: Violin Concerto in E-Flat Major, RV 257 - III. Allegro — Nicola Benedetti
- Rohstoff — Roedelius
- Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise — Seiji Ozawa
- Beethoven: Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso — Daniel Barenboim
- Arianna in Creta : Handel: Arianna in Creta - “Son qual stanco pellegrino” — Cecilia Bartoli
- Vespro della Beata Vergine, SV 206 : Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (Live) — Nigel Robson
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner : Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum me festina — Monteverdi Choir
- Messiah, HWV 56, Pt. 3 : Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory — Monteverdi Choir
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Chorale. Zion hört die Wächter singen — English Baroque Soloists
- Vespro della Beata Vergine, SV 206 : Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 (Live) — Nigel Robson
- Symphonie fantastique, Op. 14, H. 48: II. Un bal — San Francisco Symphony
More songs in A Major
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme — Anthony Robson
- Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia — San Francisco Symphony
- Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 10, The Young Juliet — Boston Symphony Orchestra
- Symphonie fantastique, H. 48 : Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse — Boston Symphony Orchestra
- Toccate e partite d'intavolatura di cimbalo, libro primo: Toccata prima, F 2.01 — Christophe Rousset
All songs in A Major →All songs at 135 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.