Songs / A Major · 126 BPM
Stabat Mater : Pergolesi: Stabat Mater: 10. Fac ut portem by Andreas Scholl
Stabat Mater : Pergolesi: Stabat Mater: 10. Fac ut portem by Andreas Scholl is in the key of A Major and runs at 126 BPM (or 63 BPM if you count it half-time), a steady dance-floor tempo. Its Camelot code is 11B, which is what you match against when you are mixing it harmonically with another track.
What mixes with Stabat Mater : Pergolesi: Stabat Mater: 10. Fac ut portem
On the Camelot wheel, Stabat Mater : Pergolesi: Stabat Mater: 10. Fac ut portem sits at 11B. These keys blend with it without clashing, so tracks in them are safe to beatmatch in or out:
- 12Benergy boost
- 10Benergy drop
- 11Arelative minor
Mixes well with Stabat Mater : Pergolesi: Stabat Mater: 10. Fac ut portem
Real tracks from the database that are both harmonically compatible and close enough in tempo to beatmatch — ±6% on a pitch fader, or half/double time. Same key first, then the nearest energy step on the wheel.
- Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa
- Symphonie fantastique, H. 48 : Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse — Boston Symphony Orchestra
- Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313 : Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. [Menuett]. Vivace — The English Concert
- Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner : Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum me festina — Monteverdi Choir
- Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto" : Corelli: Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio – Allegro – Adagio — The English Concert
- Arianna in Creta : Handel: Arianna in Creta - “Son qual stanco pellegrino” — Cecilia Bartoli
- Beethoven: Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso — Daniel Barenboim
Tracks to mix into it
Other analyzed songs in a compatible key, ready to line up next in a set:
- Shostakovich: Piano Concerto No. 1 with Trumpet and Strings, Op. 35: IV. Allegro con brio — BBC Scottish Symphony Orchestra
- Scriabin: Fantaisie in B Minor, Op. 28 — Marc-André Hamelin
- Barmherziges Herze der ewigen Liebe, BWV 185: Aria Duet. Barmherziges Herze der ewigen Liebe (Soprano, Tenor) — Magdalena Kožená
- Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner : Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum me festina — Monteverdi Choir
- Messiah, HWV 56, Pt. 3 : Handel: Messiah, HWV 56, Pt. 3: No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory — Monteverdi Choir
- Messiah, HWV 56, Pt. 2 : Handel: Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed — Monteverdi Choir
More songs in A Major
- Feldman: For Bunita Marcus (1985): page 27 — Marc-André Hamelin
- J.S. Bach: O Jesu Christ, mein's Lebens Licht Motet, BWV 118 — English Baroque Soloists
- Wachet auf, ruft uns die Stimme, BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme — Anthony Robson
- Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con grazia — San Francisco Symphony
- Horn Concerto No. 1 in D Major, K. 412 + 514 (K. 386b) I. Allegro — Seiji Ozawa
- Romeo and Juliet, Op. 64 / Act I : Prokofiev: Romeo and Juliet, Op. 64 / Act I: No. 10, The Young Juliet — Boston Symphony Orchestra
All songs in A Major →All songs at 126 BPM →Camelot wheel →
These figures come from analyzing an official 30-second preview of the track with TuneBad’s in-browser engine. Tempo and key are reliable, but a preview is a sample of the full song, so treat them as a strong estimate. For an exact read, analyze the full file yourself — it is free and runs entirely in your browser.